These variations cover the capabilities of each instrument or ensemble. In the case of an orchestral sample library, single notes and tone sequences (phrases) are recorded with various expressions, tempos and articulations. These “samples” are edited and assembled for use in a sample library, which can be accessed in real-time by the software instrument. The second type are sample-based, i.e., they trigger recorded audio tones, loops, and phrases performed by musicians. The first type generates sounds by creating and modulating waveforms – similar to traditional hardware-based synthesizers. There are two kinds of virtual instruments.

Similar to a multi-track tape recorder, the DAW application captures a musical performance, while also allowing infinite programming and arrangement possibilities. Programs of this kind can be run on the computer as plug-ins hosted by the Digital Audio Workstation (DAW) software (e.g., Steinberg’s Cubase, Logic or GarageBand by Apple, Pro Tools, etc.) or as stand-alone applications. What is a virtual instrument and what are sample libraries?Ī virtual instrument is a software application that enables the user to produce or play sounds on a computer. What’s more, educational institutions around the globe are using Vienna Symphonic Library’s products to teach composition, orchestration, film scoring and much more. Tight production schedules and limited budgets usually don’t allow for recordings of real orchestras, so the sample-based recording isn’t just a mock-up, it’s the final cue. TV series such as CSI, The Mentalist, Dexter or commercials are almost exclusively created “inside the box”. Increasingly composers are also combining virtual orchestra sounds with live musicians in the final mix. Rahman, Alan Silvestri, Alexandre Desplat and many others use their “Vienna Libraries” (as some like to call them) to create mock-ups of their movie scores. Well-known TV and film music composers such as Danny Elfman, A.R. The list of Vienna Symphonic Library users includes musicians, composers, arrangers and studio owners on all continents. Even pieces that have until now been considered “unplayable” can be realized with this new technology. Furthermore, any changes of instrumentation, tempo, length or key can be dealt with quickly and easily.

Using our products, composers can more easily influence producers, directors, publishers and concert organizers to perform or record a new opus, without necessarily having to book expensive orchestras, concert halls or recording studios for a demo. This enables composers to produce not only a printed score, but also an audible and convincing rendering of their music. Using Vienna Symphonic Library’s products, music professionals can accurately and authentically recreate orchestral pieces on their computers.

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